In 1962, Picelj initiated a series of his self-published “Edition a” art booklets, having released a total of seven publications up until 1964. Each issue of “Edition a” featured the work of one artist —mostly of a colleague whose work he admired.
In 1962, Picelj initiated a series of his self-published “Edition a” art booklets, having released a total of seven publications up until 1964. Each issue of “Edition a” featured the work of one artist —mostly of a colleague whose work he admired.
The OmenaArt Foundation develops projects that integrate art into public spaces.
It makes curated works accessible to a broad audience and seamlessly integrating them into both urban and historical environments. These efforts are driven by the belief that art in shared spaces can inspire, educate, and strengthen social bonds. As part of this initiative, and in collaboration with Opera Gallery, the Foundation organized an exhibition featuring monumental sculptures, which were on display for two months as part of the historic garden landscape of the Wilanów Palace.
The exhibition featured works by Manolo Valdés, Niki de Saint Phalle, and Anthony James, among others.
Additionally, through an initiative by the OmenaArt Foundation, Ida Karkoszka’s sculpture “Mamma” was installed in the center of Valletta, Malta. The piece was created during a three-month artist residency organized by the Foundation in partnership with LuginsLand of Art.
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